A Wealth of Talent

May 15, 2020 – The Cincinnati Kid (1965) Turner Classic Movies

The Cincinnati Kid features Steve McQueen as the up-and-coming stud poker ace who goes up against the older poker king played by Edward G. Robinson in 1930s New Orleans. There is a wealth of talent in this movie. The screenplay is by Oscar-winning screenwriter Ring Lardner Jr. and Terry Southern, who wrote the screenplays for Dr. Strangelove, Easy Rider, and Barbarella. This is Lardner’s first credit since he was blacklisted as one of the Hollywood 10. The film was directed by Norman Jewison and edited by Hal Ashby, who went on to direct Harold and Maude, Coming Home, and Being There, among other movies. Ray Charles sings the theme song, which is on my Shelter-In-Place Streaming Festival Playlist.

The cast is also amazing. Besides the two leads, the movie features the great Karl Malden, a very young Rip Torn, veteran Joan Blondell, Cab Calloway in a non-singing role, Tuesday Weld, and Ann-Margret who may be the second-most beautiful and sexy woman who ever lived, after my wife Wendey.

The story peters out at the end, but it is a fun ride getting there. There is a great chase scene through a railroad yard and some nice New Orleans jazz. This could be the fourth jazz movie in my festival, although unlike Paris Blues, Chico and Rita, and A Song Is Born, the music in The Cincinnati Kid is incidental to the plot and none of the characters are musicians.

Charming But Slight

April 23, 2020 – Paris Blues (1961) Criterion Channel

Paris Blues is the story of two American Jazz musicians, Paul Newman and Sidney Poitier, and the two visiting American tourists, Joanne Woodward and Diahann Carroll, who they fall in love with. It is a charming but slight movie. The most memorable part of Paris Blues is the music, composed and performed (off-camera) by Duke Ellington with a guest appearance (in the soundtrack and on-camera) by Louis Armstrong. This is the third movie about jazz (also: A Song is Born and Chico and Rita) and the second movie directed by Martin Ritt (also: The Spy Who Came In From The Cold) I have watched since the pandemic started.

I would write more, but I have to shed my identity as Lee Winkelman, mild-mannered community organizer and blogger, and take up my secret identity as Sisyphus the dishwasher.